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In the Villa yesterday “My Nest”

When Nobel settled in Sanremo the Liguria poet Francesco Pastonchi, barely 15, made a revealing account, not benevolent and in some way mocking the heterogeneous style of the villa, effectively hard to define in that blending of flowering lines, a sort of liberty style, influenced by  the Moorish exoticism, in vogue at the time. Mr Pastonchi wrote:

”The villa that looked unique to us with that strange mixture of styles, with light iron caprices and parade of windows  and a small tower inlaid with  stones like a crisp , is adorning of graffiti, on which a painter in tunic on the scaffolding keeps on working. Also in the garden there are arrangements with comings and goings of diggers. Finally the Villa opens the windows , curtains are trembling, the new proprietor takes possession”.

Thanks to Pastonchi’s description  and photographic documents we can say with confidence that the external appearance of the villa remains unchanged in its essential lines , even if the upper floor has been heightened and therefore the central roof has been modified and  over the turrets has been eliminated. We can deduce that Nobel increased and made richer the furniture in the house comparing  the price Nobel paid to Lazzaro Patrone (10.000lire) and the price paid for it at Nobel’s death (60.000 gold francs).


Villa Nobel, il laboratorio.


Villa Nobel, pontile in ferro per esperimenti balistici.

This is also supported with the description of professor Key about the inside of the building: ”my nest” was furnished during the first years of 1690  and the furniture was modern, that is with an exotic influence  that French wars in Northern Africa had taken to Europe. The villa had 2 large verandas over viewing the sea ; on one side there was a group of wicker couches and armchairs, on the other side it was decorated with a beautiful Japanese urn about 1 meter and half high, some embalmed crocodiles and 2 bronze statues that Nobel himself had ordered from a Roman antiquarian, bamboo pedestals for flower pots and wooden  Japanese pictures .

In a Chinese living room the exotic style continued. The couch was made of ebony , with inlays of pearls and the walls were covered of cloth embroidered in Chinese style. One ostrich egg , coffee cups made of china from Sevres, Chinese vases and a light blue urn were part of the ornaments. There was also a living room in the middle  with walls covered with yellow silk and a smalls  couch Pompeian style. The walls were painted with frescos  and one could watch albums of pictures , for instance one regarding Napoleon’s life .

Nobel’s bedroom had a bed carved in wood and his study had a library with  glass doors. In all rooms there was electric lighting. The tower contained one sitting room for  the most private meetings One could enjoy oneself with a racing game and a roulette, while the dining room was situated on the ground floor with the entrance directly from the park . A large table under the 2 crystal electrical lamps  and 12 chairs, 2 cupboards full of china sets and  silver cutlery were waiting for the guests .On the same floor were located the bath rooms and the kitchen.

 

Many buildings surrounded the villa: the little house with  10 rooms, the stables and the laboratory, long construction of bricks at the ground floor . Mr .Ragnar  Sohlman who worked as a chemist in the laboratory in Sanremo and became the executor of Nobel, describes  the laboratory :” It was composed of 3:rooms , a large engine room with a gas engine and electro generators for the production of different types of current at different voltage for the lighting and electrolytic tests,  quite a big working room used for chemical experiments and other experimental works, a smaller room with a library, some scales and other instruments , guns for ballistic tests. The shots were pointed towards the sea along a steel pier built on the sand. The chronograph for measuring their speed was installed inside the laboratory”.

Mr Sohlman, the  English chemist George Beckett and  young French Alphonse Tourneaud  were working in the lab . The languages spoken alternatively were French and English.

The intense activity carried out in the laboratory in Sanremo soon annoyed the neighbours and complaints were made  to the major of the town especially by Mr Rossi a lawyer proprietor of the villa nearby.

Mr Rossi insisted so much that convinced Nobel to buy his property with act dated 8 ay 1894, notaries deed Balestreri. From Mr Rossi’ wife, Mrs Rosa Cassini, Alfred Nobel bought Villa Miraflores, at the time named “Villa Rossi”. When asked about the destination of the villa , Nobel answered ” We can use it as a beach changing room”.

This testifies Nobel’s intention not to abandon Sanremo, in spite of his buying the steelworks in Bofors and  the mansion of Björkborn and to spend there part of the year. Nobel signed  a contract with the firm Alavoine &C  for the furnishing of the two villas in  Sanremo; it was then cancelled by the testamentary executors after Nobel’s death  which occurred before the delivery of the supply.

The texts of the section” The story”, “Alfred Nobel”, and “Italian Nobel” are taken from the books:
Giovanni Lotti,”Nobel in Sanremo”, Provincial Administration of Imperia ,1980
Giovanni and Antonella Lotti, “Nobel in Sanremo” Turin , Allemandi 2003.

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Ultimo aggiornamento 12 marzo 2004